Anna Haydock-Wilson
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About Us
Still We Rise!u0026nbsp;2018-19
Magazine
The inevitability of attaching negative connotation to socio-politicalu0026nbsp;ideologies
Blog
Wild Women by Judy Russell and Margaretu0026nbsp;Coen
The inevitability of attaching negative connotation to socio-politicalu0026nbsp;ideologies
Feminist Art sharing in the 1970s- a view from the Instagramu0026nbsp;age
The creator- Maria Joseu0026nbsp;Carvallo
Rose Frain introduced by Claudiau0026nbsp;Pilsl
Melanie Bonajo- introduced by Annau0026nbsp;Best
Jo Spence- Photographer, Phototherapist, Writer and Cultural worker 1934 – 1992 introduced by Janet Currier
Jess Dobkin- The Lactation Station (2006-12) introduced by Lizzieu0026nbsp;Philps
Christiane Cegavske introduced by Emmau0026nbsp;Windsor
The Shed Poets by Rosyu0026nbsp;Wilson
Art within the Cracks of Women’s Live- a film dedicated to Jacqueline Morreau, artist and feminist
Why ‘Art within theu0026nbsp;Cracks’?
Why should we learn from fellow womenu0026nbsp;artists?
Events
Print Kitchen at Spike Open Studiosu0026nbsp;2019
International Women’s Day 2019
Dance and Drama with Merchant’s Academy
Celebrating Women’s Art 14th December 6.30pm
Talking about equality with Room13u0026nbsp;Harclive
Equality and Creativity workshop at PAPERu0026nbsp;Arts
Collaboration Day
Entitled
News
Connecting Riverside Communities
Corona Creatives
Trees
Water
Birds
Colours
Category:
Collecitves
Collaboration
,
Collecitves
,
Creativity
Water
Collaboration
,
Collecitves
,
Creativity
Trees
Collaboration
,
Collecitves
,
equality
,
Herstories
,
Motherhood
Feminist Art sharing in the 1970s- a view from the Instagram age
Collecitves
,
Herstories
Melanie Bonajo- introduced by Anna Best
Collaboration
,
Collecitves
,
Creativity
The Shed Poets by Rosy Wilson
Collecitves
,
Creativity
,
equality
Why should we learn from fellow women artists?
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Anna Haydock-Wilson 